I am rehearsing two plays. In one I will be required to crucify a dude. In the other I shall be an aeroplane.
It is very important I do not get these parts mixed up. The Little Prince‘s themes of yearning for lost childhood and the suffocating banality of adult society could possibly survive the unexpected introduction of a crucifixion scene, but I’m almost certain that Aeschylus (if the author was indeed Aeschylus) did not intend for Hephaistos to bear Prometheus around the stage on his shoulders making neeeyaaaaar noises.
